Wednesday, August 25, 2010

INUK AND THE SUN: Production Design Concept and Master Symbol

Alaska Theatre of Youth's INUK AND THE SUN was directed and designed by Kari Glass

INUK AND THE SUN is a coming-of-age story which "explores the fundamental human experience of life and death" (Beissel), set in an Arctic winterscape in a small Inuit village. The young protagonist, Inuk, is on a classic hero quest, seeking self-determination by searching for the light and nurturing warmth of the sun in the midst of the cold dark winter. Playwright Henry Beissel chose the Inuit setting for his story because "Canada's first people have much to teach us . . . [about] the need to understand and accept our place in nature in order to survive."
The master symbol for this production is the Yin-Yang image a two part interlocking puzzle joined together to complete the whole. The archetypal characters present riddles at every stage of the journey and Inuk is asked to collect pieces of information in order to solve the puzzle.
The opening poem begins, "White is black, and black is white," a concept symbolized by the two halves of the Yin-Yang circle. Inuk's journey ultimately becomes a completion concept symbolized by the juxtaposed Yin-Yang. Inuk's life is complemented and completed by the love and brilliant illumination he finds from his union with the Spirit of the Sun. Her warm femininity tempers Inuk's cold competitive masculine tendencies. She fills him with a transforming light and brings him into the heart of his community. This play is about the juxtaposed elements of nature, light-dark, life-death, feast-famine, sun-moon, young-old, summer-winter, day-night, hot-cold, mundane-spiritual, and female-masculine.

About the Production:
Kari Glass directed and designed Henry Beissel's poetic stage play "Inuk and the Sun" produced by Alaska Theatre for Youth's 2005 summer conservatory in the Alaska Center for the Performing Arts Discovery Theatre. Yngvil Vatn Guttu composed and performed an original score for the production. Poet and performance artist Brian Hutton and California award winning drama teacher Susan Raley coached and ran second scenes while Kari ran the rehearsals.

INUK AND THE SUN: costume design


Inuk (Human) Costumes Designed by Kari Glass

Inuk


Inuk Mukluks: Father, Mother and Inuk



Spirit Costumes Designed by Kari Glass


Spirit of the Moon

Spirit of the Sun

Spirit of the Wind

Spirit of the Caribou

Spirit of the Dream

The Sea Monster

Sedna: The Spirit of the Sea

The Spirit of the Ice I

The Spirit of the Ice II



Animal Costumes Designed by Kari Glass


The Raven


Muskox


Shark Mask


Shark: side . front . back


Seal


Polar Bear


Sled Dog and Arctic Fox

Monday, August 23, 2010

INUK AND THE SUN: Set Design Thumbnails







The multipurpose set reflects the triangular geometric motif inspired by the textural shapes of the sharply cracked Arctic ice pack. This simple stylized shape functions to represent a variety of scenic elements including the vast frozen snow drifts, jagged buckled ice sheets, village iglus, underwater rocks and sea objects, a dark sea monster's cave and a glimmering sub-tundra iceberg hall. The center stage has a pyramid shaped raked platform which provides alternative stage levels and functions as a stage trap for the seal hole--Inuk's portal to the watery underworld. The raked deck supports Inuk's slow rolling fall through the ice down to the bottom of the Arctic Sea. This triangular theme echoes other small scenic units including the upstage masked ground row and the corner down stage properties.

Inuk's slow motion unconscious descent down the raked platform to the ocean floor is dramatically contrasted by the opposing action of the ascending kelp that is flown out from behind the upstage deck's ground row on a masked batten. A downstage batten cradle filled with mylar confetti gently sifts confetti onto the deck to represent sea matter floating in the fluid current.

SKETCHBOOK: ALASKAScapes: Yakutat